In 2012, Cobo credited Aguilar with essentially creating a new radio format. I produce and write everything I do musically based in rock. My Mexican music sounds the way it sounds because of rock.
Rock has been my inspiration and my best weapon. Q: So what does a regional Mexican singer know about rock?Ī: You should have met me when I had an earring and long hair! I recorded a rock album in 1987, before recording rancheras. Known for his giant sombreros and even bigger romantic mariachi ballads, this son of ranchera star Antonio Aguilar started his career as a rocker, he told Cobo in 2004:
To hear Billboard‘s Leila Cobo tell it, singer-songwriter-producer Pepe Aguilar changed the industry of Regional Mexican music. Los Horóscopos’ “Qué Chulada de Papucho”: Continue reading “Who’s On the Mexican Radio? 9/28/16” → VALE LA PENA.īut that’s the chart that measures “Audiencia.” The real action is over on the “Tocadas” chart, where - I’m guessing - we see adventurous radio programmers in smaller markets testing the waters for more VALE LA PENA songs like: VALE LA PENA, even if you’ve heard 20 other Recoditos songs just like it.Īlso solid is the song sitting at #5, La Adictiva’s brassed up take on another “ayyyy chiquitita I’m drunk and it’s your fault” song: “Que Caro Estoy Pagando.” Formerly a hit in El Norte for Sierreño heartbreakers Los Plebes del Rancho de Ariel Camacho, the song transitions to its new instrumental setting with stately melodic leaps intact, though I do miss the scratch in José Manuel Lopez Castro’s voice. Typically, their horn chart is accomplished and stuffed with counterpoint, and El Flaco is the most charismatic guy at the bar, savoring some strategically placed high notes that sound like they were written for his voice. Having set aside a nice piece of land for themselves in the “ayyyy chiquitita I’m drunk and it’s your fault” territory, Luis Angel Franco and company seem content to mine that turf for whatever they can find, for the rest of their lives - which probably won’t be long, given the volatile state of their collective liver.
The best recent song to hit the Mexican radio top 10 is probably the #4 hit “Al Rescate,” the latest in the ongoing cry for help disguised as a brass band, Banda Los Recoditos. This song does NOT appear on García’s latest good album El Circo (Afinarte), on which the banda players routinely sound like they’re trying to trip their boss with their horns. The man-myth-legend’s “Tu amor es que respiro” lyrics are hard to distinguish from Palencia’s, but the vaquero born Alexander García plows through all that sap like he’s racing his banda to the merch table. El Fantasma – “Encantadora” (#33 Hot Latin)
CALIBRE 50 SIMPLEMENTE GRACIAS ACORDES MOVIE
The movie looks cool this song, also recorded by sierreño quartet Alta Consigna, is NO VALE LA PENA.Ģ. This lovey-dovey Horacio Palencia ballad is very boring, so the Blog’s SEO Optimization Team has asked that I make the most of things by reporting that La Adictiva’s singers are Isaac Salas and Guillermo Garza, the latter of whom shares a first name with Guillermo del Toro, producer of the forthcoming film Scary Stories to Tell in the Dark. La Adictiva Banda – “El Amor de Mi Vida” (#40 Hot Latin) NO VALE LA PENAĪnd now, BILLBOARD’S TOP 5 REGIONAL MEXICAN SONGS:ġ. Inspired, no doubt, by the heavy metaphysical symbology of the Thor movies, the banda video depicts a rainbow butterfly morphing into an onstage Jenni hologram. Thanks to some skilled studio reconstruction, you can hear the song in banda, mariachi, and pop versions. First up, from the YASSS SLAIN QUEEN file: July 2 would have been the late Jenni Rivera‘s 50th birthday, so her estate celebrated by releasing “Aparentemente Bien,” a ballad she was working on before her 2012 plane crash.
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